Archives for posts with tag: Berlin

Drawings from summer project - Kathe Kollwitz.

Based off of a Kathe Kollwitz woodcut, zoomed in on a little girl clutching her spoon. brush and ink with a fine liner black pen to tidy up the edges. Kollwitz had the ability to capture the faces and the emotions of the impoverished and downtrodden of Germany without making them mawkish or melodramatic. She drew real people. This probably not the kind of artwork that comes to mind when you mention the 20’s or 30’s. Art Deco was the prominent style of this era. It was profitable and people liked the glitz and glamour of it. But in Germany this Golden Age lasted only a few years ( the golden age of Weimar) in between two horrendous episodes of economic difficulties. the hyperinflation 1923 to 24 during which an estimated 8 million Germans were unemployed. The hyperinflation was rectified by Gustav Stresemann but this economic, cultural and social golden age did not last and was not all that golden. WW1 had left Germany scarred, emotionally and physically. With the overnight collapse of Wall street in 1929, many of the political reforms and treaties made between Germany and the rest of the world were made redundant. Most prevalent were the loans that the USA had given a struggling Germany, which were now swiftly recalled. has the whole of the western world went into economic collapse.

Things did improve in Germany in the inter – war years, but as Kollwitz’s work shows there was a large potion of society left deeply effected by the war and at odds with the government. The many coalition governments that occupied the Reichstag between 1918 to 1933 were interesting to say the lest.

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As I was saying in my previous post, Kathe Kollwitz was a pretty amazing person. She faced get adversity ( in simple terms she was hated on by the Kaiser pre WW1, then after WW1 she was hated on by the communists, the socialist coalition government which was influenced by the monarchists, and then hated on by the Nazis. ) In addition she suffered many personal tragedies, the death of her son in WW1, the death of her grandson in WW2 and the death of her husband. Her work was extremely personal to her because of this. She was set apart due to her political views and also because she was female.  From 1933 onwards Kollwitz like many other leftists began to lose everything, she was forced out of her position at the Prussian Academy, she was questioned and threatened by the Gestapo, her artwork was banned and put into the Nazis Degenerate art show or Entartete Kunst. Her husband was banned from working as a doctor in Berlin. Her large sculpture studio at the academy was trashed and her family home and studio was bombed during the Berlin Bombing meaning much of her work was lost or destroyed along with her personal items. Kollwitz’s last series of works concerned her relationship with death. Kollwitz was no stranger to portraying death, exploring her own mortality and it can be seen in her artwork that she had anticipated her own death. One of these such works is a simple charcoal drawing showing Kollwitz reaching up to death beckoning hand. Kollwitz died just before the end of the war in 1945. From her own death at the end of her career to revolution at the beginning of her career. Kollwitz told the stories of the people of Germany who went against the tide and those who were drowning in it. She was one of a few artists who chose this subject matter within Germany at this time while others concentrated on the glitz and glamour of the highly lucrative art deco lifestyle.

Here is a link to the page on the Moma website all about Kathe Kollwitz :

http://www.moma.org/collection_ge/browse_results.php?criteria=O:AD:E:3201|A:AR:E:1&role=1 ( HESS, H. Kathe Kollwitz bio. accessed 25.9.2013.)

more pictures for my summer project

Sketchbook pages, on the left is a portrait of Kathe Kollwitz by me and on the left is just general doodles by me.

More pictures that I did for my summer project

This one is more Emil Nolde inspired than Kollwitz inspired. But like Kollwitz, Nolde is associated with Art Nouveau and German Expression.

drawings that i gone and done for my summer project, Kathe Kollwitz Inspired!

Based on a Kathe Kollwitz woodcut, zoomed in and in charcoal. my poor wee urchin, he’s only got one eye.

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I realised I should probably post about my summer project. Our brief was to explore “what has gone before”. Now when you type the history of illustration into Google, what comes up is pretty vague and useless. Perfect excuse to buy some illustration books off amazon. The book that I found most helpful was “Illustration, a visual history” by Heller & Chwast Abrams. As it containes the main illustrative movements and styles. Which was really helpful for me as I didn’t really know a lot about the history of illustration, and I didn’t want to pick my favourite illustrator, Mike Mignola. I wanted to go further back, see if I could trace some of my favourite styles back to their origins. I also really love history, if I hadn’t got into DJCAD, I would be in second year at Stirling studying history and religion. So the first half of my project sketchbook is just written research and pictures exploring the history of illustration. I eventually settled on the work of the German Expressionists, specifically Kathe Kollwitz. This period of German history is an era that fascinates me. I studied Germany’s inter-war years for my Advanced Higher and wrote my dissertation on it as well. So finding Kathe Kollwitz, was amazing, a woman who lived and worked pre WW1 to the end of WW2. Her work is so refreshing and simple to me, as well as her story. She drew the reality of war and the inter – war years in Germany, something which isn’t really discussed. She was a woman beyond her time, and so were her parents, when she told her father she was getting married he feared it would ruin her artistic career. It didn’t, in a way her career flourished when she and her husband, a doctor, moved to Berlin. She really cared about the war torn impoverished families who visited her husbands clinic. Her political and moral sensibility probably had a lot to do with this, but also the fact that she herself was no stranger to sorrow, as she lost her son in WW1. Her opinion towards war changed greatly from this moment onwards. In December 1943 she wrote in her diary:

Every war already carries within it the war which will answer it. Every war is answered by a new war until everything is smashed … that is why I am so wholeheartedly for a radical end to this madness and why my only hope is in a world Socialism, Pacifism simply is not a matter of calm looking on, it is work, hard work.”

Kathe Kollwitz was a pretty amazing lady. I find her work so inspiring, its expressive but its not fake. Its real and gritty. I admire her bravery.

Links and References :

Here is a link to the Kathe Kollwitz Museum website : http://www.kaethe-kollwitz.de/museum-en.htm (accessed 24.9.2013.)

Heller, S. Chwast, S. (2008) Illustration: A Visual History. New York. Abrams.

Kollwitz, K. (1955) The Diary and Letters of Kathe Kollwitz. Henry Regnery.